![]() ![]() Biography and contribution of Shyama shastri.The teacher should note that the kritis should be in different talas, languages and should cover different composers The compositions in these ragas should be mentioned and the student should be motivated to listen to the raga alapana as well as the compositions in the raga which would help the student during the introduction of manodarma or creative music. The Lakshana of these ragas should be taught to the student. Should be able to sing the varisais, geethams, swara jatis and jati swarams perfectly with akarams: Portions covered during this course: Should have completed the 3 levels in the foundation course. Introduction of the musical form varnam therefore enhancing the voice culture and teaching the subtle nuances of raga handling. ![]() We offer 3 levels in this intermediate course. This course will make the student sing fluently the kritis and makes them familiar with the raga identification thereby helping them out to persue the next level. All these issues will be guided by the teacher during this course. This is the stage at which a student should cultivate a regular habit of hearing the performances of legendary as well as other professional singers and instrumental players. Moreover the student is taught to handle the most important musical form kriti which are elaborate compositions rich in raga, bhava and tala aspects. ![]() The time and work of both the student and the teacher is very much important during this course.Ī new musical form varnam is introduced in this course which prepares the student to handle intricate nuances and subtle gamakas of the particular raga in which the varnam is composed. By the end of the foundation course, the student will be able to persue the next level which will mould the student to become a concert performer. ![]()
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February 2023
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